Burn! You Can’t Marry
December 17, 2023
Burn! You can’t marry.
Four Weddings and a Funeral is a British movie, released in 1994, about the romantic adventures of Charles, played by Hugh Grant, and his lively group of friends as they support each other through a series of life events. Perhaps one of the most touching and memorable scenes takes place at the funeral of one of the friends, Gareth. It is revealed at the service that Gareth was not only gay but in a relationship with another member of the circle of friends, Matthew. In his eulogy, Matthew said “Gareth used to prefer funerals to weddings. He said it was easier to get enthusiastic about a ceremony one had an outside chance of eventually being involved in.”[1] Not having words himself to speak about the love of his life, Matthew recites the very moving and touching poem Funeral Blues by W.H. Auden.[2] After listening to the eulogy, what friends quickly realize, to their surprise, is that Matthew and Gareth were for “all intents and purposes” a married couple. Unfortunately, they felt that they needed to keep it a secret, even from their friends. (more…)
Through the generosity of the editors of “Orthodoxy in Dialogue,” we are pleased to re-post a wonderfully sincere and poignant piece entitled “A Gay’s Man Dormition Story”, published on their website on August 15, 2023, by an anonymous source. Please read the full article by following the link to “Orthodoxy in Dialogue” below, following the first paragraph of the work. 
“Torch Song Trilogy,” written by Harvey Firestein in the 1970s, is a collection of three one-act plays in which the main character, Arnold Beckoff, wrestles with how to live his life, as a gay man, in a post-Stonewall New York City. Central to the plot of the story, later turned into a movie, are Arnold’s relationships with boyfriends, co-workers, his adopted son, and his mother. Arnold’s mother has a difficult time accepting her son’s homosexuality, and questions why he can’t just settle down and marry a “nice Jewish girl”. Arnold is frequently agitated and unhappy with his mother’s refusal to believe that he was “made this way”, in other words, made gay, by God. In one very funny scene, Mrs. Beckoff, “Ma”, in exasperation that her son thinks he knows more about his life than she does, states, “God, doesn’t know, my son knows.”